Ranbir Kapoor...... Harpreet Singh Bedi
Shazahn Padamsee
Sharon Prabhakar
Gauhar Khan
Prem Chopra
Mukesh Bhatt
Manish Choudhary
director:
Shimit Amin
Release Date:
December 11, 2009
review:
Rocket Singh – Salesman of the year , hindi movie Directed by Shimit Amin and Producer: Aditya Chopra will be released on 11th Dec 2009.
The film stars Ranbir Kapoor as Rocket Singh , Shazahn Padamsee as Ritu and Sharon Prabhakar.
Music of the film is director by Salim Merchant, Sulaiman Merchant
The story is about a salesman named Harpreet Singh Bedi (Ranbir Kapoor) who has completed his graduation with not good marcks, but it never stopped him from dreaming of an exciting and adventurous career.
He takes a deep, positive breath and dives into the world of sales, rumoured to be an ultra cool career for all smart people blocked from entering medical, engineering or business schools by brainless entrance exams
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Matt Dillon
Jean Reno
Laurence Fishburne
Fred Ward
director:
Nimród Antal
Release Date:
4 December 2009 (USA)
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Dwayne Johnson
Jessica Biel
Justin Long
Seann William Scott
Gary Oldman
director:
Jorge Blanco
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Akshay Kumar...... Nitin Bankar
Katrina Kaif...... Anjali Kakkad
Sunil Shetty...... Ram Mishra
Paresh Rawal...... Harbans Chadda
Neha Dhupia
Sameera Reddy...... Manpreet Oberoi
Archana Puran Singh...... Archana
Aditi Govitrikar...... Pammi Chadda
Asrani...... Maamu
Chunky Pandey...... Nonny
Johny Lever...... Kala Krishna Murari
Manoj Joshi
Rajpal Yadav
Supriya Karnik
Tinu Anand
Vikram Gokhale...... Paramjeet Lamba
Sharat Saxena
Shakti Kapoor...... Moosa Hirapurwala / Suber
Ratan Jain
Katrina Kaif...... Anjali Kakkad
Sunil Shetty...... Ram Mishra
Paresh Rawal...... Harbans Chadda
Neha Dhupia
Sameera Reddy...... Manpreet Oberoi
Archana Puran Singh...... Archana
Aditi Govitrikar...... Pammi Chadda
Asrani...... Maamu
Chunky Pandey...... Nonny
Johny Lever...... Kala Krishna Murari
Manoj Joshi
Rajpal Yadav
Supriya Karnik
Tinu Anand
Vikram Gokhale...... Paramjeet Lamba
Sharat Saxena
Shakti Kapoor...... Moosa Hirapurwala / Suber
Ratan Jain
Director:
Priyadarshan
Overview:
Hats and caps off to Priyadarshan. Just when we thought that comedy - stifled in Bollywood by the silly slapstick we’re served in the name of humour - is dead, shrouded, coffined and buried, Priyadarshan the saviour strikes form and resurrects it in his latest screwball sit-com De Dana Dan.
Unlike the rib-ticklers that are solely propped on the charm of either Akshay Kumar orParesh Rawal, in ‘De Dana Dan’, the script and story is the hero. It’s a comedy of errors based on mistaken identities in a mad melee of oddball characters that cross paths inside a hotel in Singapore. The cobweb of confusion is created with such craft that gags keep flying and whizzing by endlessly - left, right, up, down…de dana dan! And you come out of the theatre with every cell of your body giggling with joy.
It’s all about money, honey! Nitin (Akshay Kumar) wants money to free himself from the clutches of his authoritarian maalkin (Archana Puran Singh) and marry his rich GF Anjali (Katrina Kaif). Ram (Sunil Shetty), a courier delivery boy, too wants money to marry Manpreet (Sameera Reddy), daughter of an industrialist. And Harbans Chadda (Paresh Rawal), a serial conman posing as a millionaire, wants to marry his good-for-nothing son (Chunkey Pandey) to any rich girl whose father is willing to open up coffers for dowry.
After their respective lives hit the rock bottom, Nitin and Ram decide to kidnap someone important (not telling who?) to make some easy millions as ransom. But the kidnapping goes wrong as the duo check into a hotel where preparations are underway for Manpreet’s wedding.
Add to this melee a number of screwballs like a testosterone-driven, middle-aged lecher (an appropriately cast Shakti Kapoor) desperately looking for sex, or a nit-wit cop (Sharat Saxena) looking for the conman, or a prostitute (Neha Dhupia) waiting for a client, or an assassin (Johnny Lever) who carries chloroform bottles, or a bumbling waiter (Rajpal Yadav) on the verge of losing his job, or a harried father (Tinnu Anand) out to find his runaway daughter (Katrina), or a local don (Asrani) with a dead body nobody’s willing to take.
It’s a mad, mad world out here in this Singapore hotel.
The best part about ‘De Dana Dan’ is that gags aren’t just mindlessly stitched together but flow out of situations that arise out of mistaken identities. Full credit should go to its crispy script laced with punchy dialogues from Jay Master and full credit to Priyadarshan for executing it with his masterly skill that makes the movie a hell of a rollercoaster ride, leaving the audience doubled up with laughs.
Yet again, Akshay brings a lovable goofiness to his character even though he’s locked inside a wardrobe for a substantial chunk of the second half. Sunil Shetty is okay while Paresh Rawal and Manoj Joshi bring the house down with their remarkable bonhomie. The ladies, Katrina, Sameera and Aditi Govitrikar (as the money hungry wife of Rawal) are more of eye candies, though Neha Dhupia does get to shoot off a few smutty dialogues. The supporting cast chips in with fine performances.
The movie’s pace slackens a bit with the song ‘Paisa’ which, though a hummable ditty, acts as a bump in this joyride. Also the flood in the climax doesn’t add as much to the humour as it could have.
These sores apart, ‘De Dana Dan’ is the best comedy of errors to have come out of Bollywood in a long time. Anyway, it’s much better than the comedy of terror we saw last week.
Go for it. It’s loaded with fun.
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Cast:
Sarah Michelle Gellar
Director:
Emily Young
Overview:
A failed suicide attempt gives a woman (Sarah Michelle Gellar) a new lease on life when she wakes to realize that she only has days to live in this adaptation of Paulo Coelho's best-selling novel. Emily Young (Kiss of Life) directs from a script by Larry Gross and Roberta Hanley. ~ Jeremy Wheeler, All Movie Guide
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Cast:
Meryl Streep
Amy Adams
Stanley Tucci
Chris Messina
Linda Emond
Director:
Nora Ephron
Overview:
Meryl Streep is Julia Child and Amy Adams is writer Julie Powell in Nora Ephron’s comedy Julie & Julia.
Before Ina, before Rachael, before Emeril, there was Julia, the woman who forever changed the way America cooks. But in 1948, Julia Child (Meryl Streep) was just an American woman living in France. Her husband's job has brought them to Paris, and with her indefatigable spirit, she yearned for something to do.
Fifty years later, Julie Powell (Amy Adams) is stuck. Pushing 30, living in Queens and working in a cubicle as her friends achieve stunning successes, she seizes on a seemingly insane plan to focus her energies. Julie decides to spend exactly a year cooking all 524 recipes in Julia Child's Mastering the Art of French Cooking (which Child co-wrote with Louise Bertholle and Simone Beck) – and write a blog about her experiences.
Director-writer-producer Nora Ephron seamlessly melds these two remarkable true stories into a comedy that proves that if you have the right combination of passion, obsession, and butter, you can change your life and achieve your dreams.
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Cast:
Michael Jackson
Alex Al
Nick Bass
Michael Bearden
Daniel Celebre
Mekia Cox
Misha Gabriel
Chris Grant
Judith Hill
Dorian Holley
Shannon Holtzapffel
Director:
Kenny Ortega
Overview:
Michael Jackson's This Is It will offer Jackson fans and music lovers worldwide a rare, behind-the-scenes look at the performer as he developed, created and rehearsed for his sold-out concerts that would have taken place beginning this summer in London's O2 Arena.
Chronicling the months from April through June, 2009, the film is produced with the full support of the Estate of Michael Jackson and drawn from more than one hundred hours of behind-the-scenes footage, featuring Jackson rehearsing a number of his songs for the show. Audiences will be given a privileged and private look at Jackson as he has never been seen before.
In raw and candid detail, Michael Jackson's This Is It captures the singer, dancer, filmmaker, architect, creative genius and great artist at work as he creates and perfects his final show.
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Cast:
Cuba Gooding Jr.
Val Kilmer
Michael Ironside
Robert Clarke
Dave Cote
Alastair Gamble
Director:
Ernie Barbarash
Overview:
Academy Award-winner Cuba Gooding, Jr., Val Kilmer, and Michael Ironside headline this sci-fi action flick about a man who must fight for his life after receiving a lethal brain implant. Luke Gibson (Gooding, Jr.) nearly died in the car accident that killed his wife and unborn child, but upon awakening in the hospital it quickly becomes clear that his life is still in danger. A microchip has been implanted in Luke's brain, and now his every move is being monitored by Hope Industries, a powerful corporation headed by a ruthless executive (Kilmer). If Luke doesn't get it out of his head soon, he'll become another brain-dead casualty of our corporate overlords. In order to regain of his own mind and prevent Hope Industries from achieving global domination, Luke seeks help from a team of highly intelligent computer hackers. ~ Jason Buchanan, All Movie Guide
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Cast:
Kristen Stewart
Robert Pattinson
Taylor Lautner
Ashley Greene
Rachelle Lefevre
Billy Burke
Director:
Chris Weitz
Overview:
In the second installment of Stephenie Meyer's phenomenally successful TWILIGHT series, the romance between mortal and vampire soars to a new level as Bella Swan (Kristen Stewart) delves deeper into the mysteries of the supernatural world she yearns to become part of—only to find herself in greater peril than ever before. With more of the passion, action and suspense that made TWILIGHT a worldwide phenomenon, THE TWILIGHT SAGA: NEW MOON is a spellbinding follow-up to the box office hit.
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Cast:
Milla Jovovich
Elias Koteas
Will Patton
Corey Johnson
Director:
Olatunde Osunsanmi
Overview:
1n 1972, a scale of measurement was established for alien encounters. When a UFO is sighted, it is called an encounter of the first kind. When evidence is collected, it is known as an encounter of the second kind. When contact is made with extraterrestrials, it is the third kind. The next level, abduction, is the fourth kind. This encounter has been the most difficult to document-until now. Set in modern-day Nome, Alaska, where--mysteriously since the 1960s--a disproportionate number of the population has been reported missing every year. Despite multiple FBI investigations of the region, the truth has never been discovered. Here in this remote region, psychologist Dr. Abigail Tyler began videotaping sessions with traumatized patients and unwittingly discovered some of the most disturbing evidence of alien abduction ever documented Landing closely on the sleeper heels of "Paranormal Activity" comes "The Fourth Kind," an alien-abduction thriller that combines purported raw case-study footage with dramatic "re-creations" to unsuccessful effect.
Although writer-director Olatunde Osunsanmi puts a lot of work into the film's "is it or isn't it" (as in a hoax) conceit, the gimmick proves more distracting than disturbing. Multiple split-screens shared by supposed real-life victims and actors playing them ultimately serve to distance viewers from the mythology instead of drawing them inward.
Whether the film's question of authenticity is enough to draw decent opening-weekend audiences will depend on the effectiveness of Universal's viral marketing campaign, but it's likely the theatrical encounter will be brief.
Taking its title from ufologist J. Allen Hynek's classification of extraterrestrial sightings, with the fourth kind referring to a hands-on abduction, the picture is set in Nome, Alaska, where psychologist Abigail Tyler (Milla Jovovich) hears a number of her traumatized patients describing chillingly similar nocturnal experiences.
They all begin with the appearance of a strange white owl at their window, but through subsequent hypnosis recorded by Dr. Tyler's trusty video camera, they each become victims of a violent encounter with a nasty-sounding, Sumarian-speaking entity.
That "Fourth Kind" is actually not as dismissively silly as the above sounds is because of all that backup documentation that Osunsanmi assembles, including an archival interview he does with a woman identified as the real Dr. Tyler shot at Southern California's Chapman University.
Although Osunsanmi and producer Terry Lee Robbins, who shares story credit, are both Chapman alumni, the closest you'll come to an interview with an Abigail Tyler on the university's Web site is one with Abigail Van Buren, aka Dear Abby.
The fact that the film already is driving folks to the Internet means it accomplishes its goal to some degree, but it would have been far more potent without that simultaneous dramatization supplied by Jovovich, Elias Koteas as a sympathetic colleague and Will Patton as a dubious law enforcer.
Adding to that artifice is an insistent orchestral score by Atli Orvarsson that constantly feels at odds with the production's desire to be taken as the real deal.
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